The Gardle of Commandments is a dynamic dance presentation, which is produced by static frame and dancers body, combining with body, collision and dialogue. It is also presented by thematic improvisation. Dancing, which combines narrative structure with environmental space, reflects whether the dancers heart and creation can express freely without boundary.
Poetry and music also have been collaborating with each other since the ancient times. SearchingPoetry and Music is concert of traditional and modern Chinese musical poetry and poetic music, which leads the audience to travel in time and space.SearchingPoetry and Musicwas created by Lucy Luan and Hang Yue based on their same background of radio hosting and passion about traditional Chinese music. Lucy has been playing the Guzheng- the 21 stringed zither since she was little and has done all sorts of collaborations with different styles of music around the world, while Hang Yue is a singer and song writer and has released an EP of his own compositions. In this concert, you will understand more about the traditional chinese culture through vocal and instrumental performing, poetry reading, opera singing and etc, which will take you to know more about chinese culture and the roots of the chinese people.
The butoh performance Image, was taken from the Chinese idiom " various phenomena appear to ones eye". It is a work constructed by the subconscious mind buried deep beneath the surface of the body. Everything that is expressed is based on a more intuitive sensibility and instinct than rational philosophical thinking. Compared with the body-based morphological construction and the transformation of force, is more like the process of rebuilding the external world by the empty body of the dancer, as the gate of the image in the subconscious. The work consists of three unrelated images.1. A kind of myth about birth2. Water, and, lost with life3. Sandman
Yu Drama StudioYu Drama Studio established in 2016 spring, set up by a group of young people who have a dream and enchanted by theatre to declare a formal war to life and chase the good future of the art world of theater. It was composed of all departments students of Shanghai Theatre Academy and theater lovers in society aiming to analysis classical from a modern perspective and give a new life to play by using diverse methods. In the meantime, they are also keeping questing and studying the creation of theater arts and the training of performance art. We will try our best to build the steps to theater art palace and move forward step by step. [Everyone has a dagger given by the lord in his hand. However, does protection mean to hurt someone else by using our dagger?]This is a story which time and space are highly abstracted. The story is about a mother who lost her daughter in the war and a young handsome war criminal. They are standing from different points of view to face the cruel justice and the hatred of kindred, which caused them to fight each other with dagger……This is the allegory about humanity and truth. Also, this adaption pays more attention to another different perspective which enforces the main thought of the dagger, an invisible weapon that everyone owns. It also focuses on the story of salvation between the mother who would die to protect her child and the soldier who kills for survival.We may hurt people around us unconsciously by releasing our weapon in order to defend our faith and protect our love that is deep inside of hearts. After that, yet we still try to justify this guilt by getting it a reasonable ground……Is humanity been used by this dagger or, on the contrary, it uses dagger? How can we define right or wrong?
Using multimedia (music, image and video) Ghaffar Pourazar tells his story and demonstrates how watching Beijing Opera one night in London in 1993, completely changed his life. How he chased the troupe to Beijing and started living and training with children at the Beijing Opera school and through sickness and pain reconditioned his 32 year old body fit for football and hockey into a singing dancing acrobatic Beijing Opera Warrior and Monkey King. Throughout the story telling Ghaffar puts on costumes, paints his face and demonstrates parts of his early plays: SAN Cha Kou, Tiao Hua Che, Wusong plays and Shi Xiu Tan Zhuang and Monkey King plays. This is about amazing costumes from the Ming Dynasty and colors, designs, forms and movements on the stage which were passed down from ancient times, then refined and passed down again. Ghaffar uses audience participation throughout the evening, inviting the audience to learn Beijing Opera movements and sounds and use of props.In between the live performances and multimedia demonstrations we hear about the tragedies of loneliness, sickness and physical pain next to the joy and excitement of learning a beautiful art form with energetic young people, making friends and learning a new culture. Hearing immense group shouts of joy at the site of dumplings in the Beijing Opera school canteen, and becoming the kids football Trainer at lunch time. IT IS ABOUT THE EXTRA RESPECT AND KINDNESS THAT MOST CHINESE SHOWED TO A FOREIGNER. It is about a kind of humanity that survives in China. It is also about traveling the YI Dai YI LU countries with Beijing Opera, some for the first time in history and performing his role as the monkey King in Persian, Turkish, Spanish and English, in addition to the original Chinese. Finally it is about winning recognition and awards and performing for Dukes and Duchesses, ministers, ambassadors, Mayors, Secretaries of State, pop stars and VIP guests of the Chinese government. It is about touring China and the world with the Beijing Opera companies and some of the most beautiful, skillful and lively actors, actresses and masters of the art and sharing their lives, joys and tragedies. He completes his monkey face and costume and performs an excerpt from Havoc in Heaven. Finally Ghaffar performs excerpts from his latest program combining Beijing opera with Broadway musicals.
This is an original youth drama, which is one of the few original youth dramas in Shanghai. It originated from the Youth Drama project funded by Shanghai Charity Foundation in 2017. Actors were recruited through drama workshops in Shanghais middle school campus. After ten months of professional training, they came to the stage. The script is adapted to the stage style according to the classic western childrens picture books. The play is a satirical comedy, which is divided into three stories, including If Life Fails You, Who Moved My MeatBones and the Magic Corridor of Disgust and Praise.
Shanghai Happy Horse Puppet Theater Activity Center Shanghai Happy Horse Puppet Theater Activity Center is associated by Professional Puppet Acting Team; Professional Children Theater Team; Children Educational Team; is one of the best puppet theater group in Shanghai. Hobby Horse Puppet Theater is dedicated into inheriting and developing Chinese traditional puppetry culture; as well as running a program called "Youth Puppetry Training Organization " which is going to develop more of the Youths members to understand and develop the puppetry art. In recent years, Happy Horse produced over one hundred public performances in Shanghai and performed in over fifty schools. Happy Horse has also been showed up in some local TV Channel such as Shang Hai Oriental Local TV Channel on the program called Xiao Ao Jiang Hu, Guang Dong Local TV Channel Puppet Movement and etc. Come Across In Childhood is a story about love and growth. In the story, there are two papermen fall in love with each other. From the first encounter and acquaintance then being brave for pursuing love and end up as a sweet love, just like everyone else having their first love. It presents the pure love belong to everyone. Come across in Childhood is not as same as the traditional puppet show, it is a new element puppet show by creativities, using the abandon paper to create paperman to present the shyness, movement and love emotions and so on. Even though this is a dumb show without dialogue in the story with, it is full of romantic love.