APP Immersive Theatre Duality (China/New Zealand)

As the first environment immersion APP interactive drama which regarded audience as the leading role, Duality combined with smart phone apps, SMS, Wechat video, live actors, brings the audience multi-dimensional exploration and the theatrical experience. A pretty girl who is under much pressure, her sister works overtime everyday, a live webcast, a kidnapping, whats the truth? In order to celebrate the fifth year of R.A.W., STA and the CSIAF co-produced the special commissioned work Duality. Its based on New Zealand Storyboxs The Woman Who Forget. Tong TongTong graduated from New York University. She is now a graduate student in Film Studies at Shanghai Theatre Academy. She is a mainland Chinese actress, director, and screenwriter. She is nominated as the Youth Ambassador to Fight against AlDS by UN. Tong received Popular TV Golden Eagle Award for the Best Supporting Actress and won the Best Leading Actress Nomination. During her study in the U.S, she has had two times bilingual MC experiences at Lincoln Center, Tong wrote and directed the Water lnk Theatre the Great Wall Poetry in 2013, the Pingtan Master received the Best Picture of Academy Award from the special unit of MIFF and SIFF. The Multi Media Theatre the M Feast is officially selected as the Commissioned Work of the 16th R.A.W! in 2014. In 2015, she wrote and directed the experimental short film The Gyroscope Man. In 2016, Tong wrote and directed the App lmmersive Theatre Duality, which is the 5th anniversary Special Commissioned Production of the R.AW!

Drama 2016

Experimental Peking Opera - The Fool

Her husbands sudden death threw her in the empty house rife with sadness. Suffering from loneliness in her prime due to this sudden loss, her golden moments were fleeting away. Her man left her nothing but a plot of land, his horse and his solumn spirit tablet. Ever since, she never took off her mourning dress and her face was awash with tears every day, in mourning of her beloved. It became such a routine that she kept the mourning hall for three whole months. That persisted until a burst of knock at the door one day. Following that was a mans voice. Looking at each other, he saw the burning passion underneath her makeup. Zhu ZhiyuDirector Zhu Zhiyu works at Chinese Opera College of Shanghai Theater Academy and serves as a member of Shanghai Dramatists Association. She graduated from Shanghai Theater Academy with the Masters degree in Fine Arts of Opera Directing, specialized in Music and Folk Music. She won the Gold Award under the category of Youth Group of National Youth Instrumental Music Contest organized by Chinese Musicians Association and also obtained the Gold Award and Best Gardner Award in Asias Finals of International Music Festival Competition for two consecutive years. In recent years, Ms. Zhu played a creative role in directing and producing some newly-adapted plays and operas. Participating and directed works: Beijing Opera "The taming of the shrew"; "Xu Guangqi and Matteo Ricci"; "New combination of Beijing Opera - The youth road Zhang Pai art performance of Zhao Qun"; Drama "farewell my concubine"; "A midsummer nights dream"; "Humane foundation charity film symphony concert" and etc.

Drama 2016

Stage Play - Tang Xianzu

In the 26th year of Wanli, Ming Dynasty, Tang Xianzu asked for a long leave from his official position and returned to his hometown - Linchuan. He devoted himself into writing plays. Away from politics, accompanied by poetry and drama, there should be no ups and downs in his life. But, was he willing to live his life in this way? If so, why did he always have a feeling of anxiety? Why was he always haunted by loneliness? Did not believe in the romance of The Purple Hairpin, but could not give up the love in The Peony Pavilion. Did not wake up from The Dream in Nanke, where should he place The Dream in Handan? In the dream or out of the dream, who can give guidance to Tang Xianzu? Where should he go for the rest of his life? Han DanniGraduated from Law School of Shanghai University, she focused on drama writing in school. In 2013, she attended the program of cultivating young artists held by Shanghai Dramatic Arts Centre, and learned drama writing from Mr. Yu Rongjun. Main works: In 2014, her drama No Dream in Huizhou was nominated for the first round of funded projects for youth screenwriters of Shanghai Cultural Development Foundation. Later, it was adapted into a script of Kunqu Opera. It was also nominated for the invited work of Rising Artists Works Program of the 18th China Shanghai International Arts Festival, renamed as Tang Xianzu. Traditional Chinese Music Theatre, Rain in Linan has won the second award of the 12th College Drama Festival of Shanghai in the full-length drama group. This play firstly combined traditional Chinese music with dramas, exploring the usage of Chinese aesthetic in modern dramas. Childrens drama The Box of Shakespeare and San Mao in the Future have been nominated for the competition of Excellent Childrens Drama of Shanghai. It uses childrens words to think about life and society.

Drama 2016

Drama - On the Road

In ancient China, "Mingtu Lu Yin", a small piece of paper, a.k.a "the special night boat to the afterlife", is the pass to the road of the underworld. During Ming and Qing Dynasty, people believed that the dead had to get the Mingtu Lu Yin and went to the other world, or his soul would linger forever in this world without transmigration and rebirth. The official Lu Yin was only issued by "Chenghuang Miao", the local Temple of the Town Deity where the dead one was born, otherwise, the pass was invalid. In the regnal era of Yongle Emperor, Ming Dynasty, the Peking pickle workshop owner Lao Cheng was dying, but the poor man fought hard to hold his last breath to wait his delayed Lu Yin. Due to the flood, the road between the north and south was blocked. Before getting his valid Lu Yin from his hometown, he could not close his eyes and pass away peacefully. After seeing Lao Chengs determination and suffering, his son decided to drag his fathers coffin with Lao Cheng lying in it, alive, from Peking to Nanjing, travelled by the land route and then by boat, to attain the Lu Yin. Yang YikunYang Yikun, has BA and Master in Dramatic Literature, the Central Academy of Drama, instructed by the play writer Huang Weiruo. Since 2009, Yang participates in many drama festivals as the Beijing International Youth Theatre Festival, Nanluoguxiang Drama Festival and Wuzhen Theatre Festival. In 2011, Yangs work "The Peacock Flies to Southeast, the wife of Jiao Zhongqings" was performed on the stage by Jiang Ruoyu, the professor of the Central Academy of Drama. As a successful experiment on the dramatic language system, this show gained many attentions and applauses and was regarded as "the Kun opera with the drama appearance". Since then, Yang has tried many different genres of drama. The drama, "The Autumn Sound of Bianshui River" won the 25th Tian Han Drama Award. The music drama "Blossom" won the Campus Award of China Drama and the Outstanding Repertoire and Excellent Screenplay in the Beijing Student Drama Festival. In the year of 2014, the drama "If Leave," was nominated for "Youth competition play" session, and won the "Town Award ", the highest award of the Best Drama Awards in the 2nd Wuzhen Theatre Festival. In 2015, Yang attended the Theater Festival in Avignon, France, and won the first-class reward of 30th Tian Han drama Award in 2016.

Drama 2016