This production of the National Theatre in Sibiu is an abridgement after Oedipus in Colonos and Oedipus King by Sophocles and surprises by the force of its almost cinematographic vision which of the directors montage which combines the real with the imaginary, developing a poetry of heartbreaking details. „Oedipus is one of the most beautiful texts of dramatic literature. As noted before, I returned to the Greek tragedy after many years, which was an occasion to practice again my appetite to create the same images with which I had not worked for a long time, the director declared, during the rehearsals in Sibiu.
Original programs will be performed by outstanding young magicians from Shanghai,Hong Kong,and Macao respectively,which are exciting and full of adventure.Moreover,magic of hand-colors,spiritual magic,interactive magic,magic on a large scale are also included in the programs,presenting illusion and reality,and bringing visual feast to the audience in Shanghai. Mysterious and unknown shows are coming soon.
The play is inspired by a true story that took place in North Carolina in 2014. This drama is for Michael Morones, Grayson Burce and all the boys and girls who, like them, have been abused and bullied without anyone around them doing anything to avoid the tragedies. ‘The Pony is one of those plays one would never miss. It reveals the agony thousands of young victims in the world have suffered, provoking peoples thought on freedom, fear and protection. It reflects how adults turn a blind eye to bullying among minors in our society. In ‘the Pony, the author and the director help the audience remove the bandage on their eyes to face the reality.
The play Struggle tells a story about three generations looking for, waiting and watching. The performance takes one and a half hours. Wang Wan shan and gai hua was the sweethearts lover, but they were separated from the change because of the relocation. They met each other and missed because of coincidence. Finally,gai hua married other man .Many years later, Wang Wan shan meet gai huas daughter. The fate revolved around him. He was involved in emotional conflicts with Liu Bao er. Their is a question here, is there have true love between each other or only because her mother. They waiting for love or for exile? Many years later, Liu Baoers son, Wang Si hui, felt the imprints and shackles of his fathers ancestors when they encountered love choices again in their adulthood. The blood of the family continues through the transmission of genes, and each generation has a faint interest in the choice of truth love. In order to break through the emotions passed on by the previous generation, everyone has made a self-denying effort to earn a reincarnation.
Zhong Yang was the professor of School of Life Sciences in Fudan University, tutor of Ph.D. and cadre sent to support Tibet. He was unfortunately passed away by car accident in September, 2017. During his lifetime, he collected more than 40 million seeds of thousands of kinds of plants, establishing botanical gene base in China. As an educator, he has trained several Doctors of Botany in Tibet. The Propaganda Department of the Central Committee of the CPC posthumously honored him as Model of the Times in March 2018. CPC posthumously memorized Zhong Yang as Nationwide Outstanding member of CPC in June 2018.
(...)You have passed through the world and you have given shape to the world through your deeds. Look into the world, into the shape of the world.(...)Groans and curses will pursue you, chase after you.You are as powerful as God, who bears the world on his shoulder. The Harvest refers to the rituals accompanying harvest and the cycle of husbandry, nature and human life, conceptualised ethnographically (inspired, among others, by Oskar Kolbergs studies and Zofia Kossaks Polish Year), as well as anthropologically and philosophically. The narrative axis of the show is delineated by the trope of the return of Odysseus, based on Homers classic epic and Stanisław Wyspiańskis The Return of Odysseus.
‘The honesty of emotions, the intense movements, the superb performance and the professionally-trained dancers. A Hong Kong AudienceWhen the truth in words is no longer decipherable, then perhaps, the most naked truth lies in the symbols of physical movements.Chater Road is a three-lane road in Central, Hong Kong, named after Sir Paul Chater. It begins at its intersection with Pedder Street and Des Voeux Road Central in the west, and ends at Murray Road in the east.
Most Things havent worked out, in the last episode of youth. Just like a force squeezes you put from the party of teenage, I rolled down the window and shout: NO REGRET TO MY YOUTH!
The concept of art theatre, which features theatrical elements, has been formed by taking music as the core and combining it with the ideas of multimedia vision and installation art. Eight works are presented as an attempt to explore from different dimensions and spiritual temperament the "modern Western interpretation of the traditional Eastern spirit". Music, media, installation and other artistic techniques play a leading role in the works: the enthusiastic Xinjiang-style meets the deep restrained Blues with the help of the traditional chamber music, dancers dance freely in the New Age style for the string quartet, the dialogue between the modern a cappella and the traditional morin khuur constitutes a wonderful polyphony, and the beats in the music transcend the boundary of races. Following the concept of the post-theatre, From East to West has attached equal importance to the music and other elements of the theater. Unlike the music or theatrical theater, it makes elements such as painting, performing, music, dance and drama different roles on the stage, generating a new tension in the same space as time goes by. This is also what is peculiar to a crossover art theater.
Ramesh Meyyappan is an internationally renowned visual theatre artist, whose last major work Butterfly was a huge hit at Edinburgh Festival Fringe 2016 Off-Kilter is a dark, comedic, highly physical production, incorporating illusions and masterful, non-verbal storytelling.Joe Kilter has his own daily ituals-some even call it obsessive. But then a sudden change in his routine turns his world askew: Joe Kilter goes Off-Kilter. Feeling increasingly isolated, his life feels impossible, until he is forced to exist in darkness.Off-Kilterexplores mental wellbeing, identity, feeling a little bit different from everyone else, and not quite being yourself.
Jiulian, with her iconic lotus feet, was a women living under the yoke of patriarchal rules. However, Jiulian never stopped her fighting against the social conventions, and loved bravely following her inner calls. Born like a reed in a ruthless fire, Jiulian was doomed to be devoured by all the social chains upon her. Loving and beloved, but discriminated and unrecognized, she finally fell into her ultimate destiny. This piece of work combines Jiulians life story with elements of Chinese Folk Dance to present a womans fate in a traditional society through modern dancing arts.
Cocoon–Metamorphosis I Am The Silk Road used modern composition method, western musical instruments, electronic music samples, Jazz, Chinese folk music, religions music, ancient court music and local opera elements. It seeks true harmony and connection of the eastern and western music by taking elements of Chinese philosophy and arts into a contemporary context that reflects Wangs cross-cultural life experience.This piece is composed for a chamber formation that includes violin, contra bass, electronics, shakuhachi, bass trombone, saxophone and percussion, to create delicate textures that express both a yearning for home and the restless urge to travel and discover the new.Cocoon–Metamorphosis I Am The Silk Road traces Wangs personal journey from her musical beginnings in the traditions of the guzheng through to her involvement with the avant-garde scene in London and Australia.
The program is the result of the collective creation of outstanding young actors of Yunnan Provincial Theatre Company and the young backbone teachers of Yunnan Arts University in the training process of "Yunnan Provincial Youth Drama Senior Talents Physical Drama Training International Workshop" instructed by the Canadian Smith Gilmore Troupe. Four of the performances were selected.
In the vast depths of the ocean, an uncommon voice joins the singing of the other whales. Ordinary whales sing at a frequency of 15-40 Hz, but this special whale sings at 52 Hz.What does this mean?It means that other whales can never hear its voice, and so it sings an unrequited song. This dream is not the dream of one girl, but of all girls: each of us faces the world alone. But when this dream becomes an eternal nightmare, or perhaps when the girl willingly confuses the dreamworld and reality, at this time, she becomes the lonely whale, transformed into a holy warrior, who dedicates herself to realizing her destiny.This play is not so much a reflection on the relationship between parents and the millennials, but rather is an expression of the challenges that the younger generation will face as future parents.
Theatre is a magic place, also a place where dreams happen. A red curtain on the stage divides the world into two parts. One is ocean. The other is fire. One is the reality, and the other is the dream. The busy people behind or in front of the red curtain are named dancers, who are also divided into two parts, the stage and the life, the Ideal and themselves. Artistic Supervisor Chen FeihuaPlanner/Scenarist Liang GeluoDirector/Main Performer Zhu jiejingDance Director Lou Menghan (Netherlands)Visual Director Han JiangMusic Composer Gong TianpengLighting Designer Yaron Abulafia (Netherlands)Costume Stylist Zhu JiejingPhotographer Bao YanzhouGraphic Designer Li Decong
One table, four stools, a bit of snow, three characters with plenty of imagination and you enter the extraordinary world of the Frapelinis ! And if you see ‘Popa, tell him that the whole world is looking for him! Terrifying at first, the world will come to amaze Bo and Bidou, and Ma keeps smiling as if everything is fine. On their journey, they will discover that the ‘Other is not dangerous, and that on a detour down an unknown road, there always remains a bit of ones self. The Frapelinis therefore take to the road – the audience with them - tracking a vanished father, leaving behind the tree of dreams, rationing a few morsels of food and discovering unknown lands.
Men! What are they like?! A and J are two brand new male humans, growing up side by side. With no real identity, there is everything to play for. Their new heads and empty bodies are ready to be filled with experiences and worldly knowledge, and if we look closely, we will see two new men being formed. Two Little Boxes is a highly physical, and often interactive piece of physical theatre, which knits together mime, dance, theatre, music and film. In a world where the only thing that speaks is the body, audiences may recognise the journey of A and J as a reflection of their own lives. It is a story of human social development, the insecurity of youth, the desire to fit in, the crisis of identity, the frustrations of relationships, and with all this: the construction of gender identity.
Lan Tianyu the renowned geisha married Qian Pengzhi the widower and lived a rich and glorious life when Qian was impressed by Lan Tianyu for her playing An Amazing Spring Dream, a dramatic scene in the famous Kun opera entitled the Peony Pavilion. Although General Qian at the age of her grandfather gave all the favors to her, how could her emotional emptiness be filled up? Finally it went just like the predication that she got a wrong bone. Mercifully, she was widowed at a very young age, and her love and youth became just the grave objects of Qian Pengzhi. Nothing lasts forever and life is just like a dream. When Mrs. Qian was awakened from a dream, she found she was penniless, and could not even keep pace with the times. And her past glories and wealth were just past memories that could never return. Looking back upon the past, everything was like a dream, seemingly having no trace, but haunting everywhere. The dream ended, everything woke up….
In 1890, the Belgian playwright Maeterlinck created <the blind> , depicting a group of blind people waiting for salvation on a desert island, in themidst of a wild and primitive forest. The priest who had led them was dead, but they were still in the infatuation waiting for him to rescue them.As a classic of symbolism drama, this play desalt drama conflicts, focusing on the creation of a thriller atmosphere and mysterious situation, metaphorical and revealing the spiritual reality of the western world at that time. Although more than a hundred years apart, we have revisited todays world, and can also be inspired by this play. This time were going to reinterpret the original work by creating an interactive and immersive experience. We have no intention to copy the form of traditional stage presentation, but leave the audience and actors in an equality drama environment - a real desert island. In the resetting of the media and the senses, explore the new dramatic effect and restart the thought of the present reality.In this play, the audience will feel an unprecedented sense of hearing.
The year 2017 is the 20th anniversary of the return of Hong Kong to motherland, and Shanghai and Hong Kong and Macao are also inextricably linked. Magicians from Shanghai, Hong Kong and Macao will bring a fantastic magic experience to audience!