New media theater

As for the overall structure, the theater consists of five works, each is an independent miniature with different forms, ultimately aimed to explore how new media concepts and technical characteristics promote the development or reform of traditional plays, dnace-drama and musical operas in terms of artistic concepts and languages, thus creatng a new theater of media that reforms, in a sense, the traditional dramatic forms. As for the performance content, the works of the theater lay stress on re-interpreting traditional Chinese culture and creation myths with the modern writing ideas and techniques used in music, media and drama, looking forward to unearthing the connotations and spirit of the traditional Chinese culture and creation myths in the contemporary context by way of a new theater of media. The theater is a creative and synergic effort of numerous artists from various well-reputed universities, including the School of Digital Media of Shanghai Conservatory of Music, School of Digital Media and the School of Digital Media of Hong Kong Polytechnic University, Shanghai Institute of Design of Chinese Academy of Arts, the Department of Digital Media of XiAn Conservatory of Music, and the Department of Digital Media of Sichuan Conservatory of Music. Resorting to new concepts and techniques of media, Duanjun Stage was creatively modified and in combination with unique music structure and languages, five independent miniature works, including new indoor operas of media like KuaFu Chases after the Sun and the Bird Jingwei Trying to Fill the Sea, and new media opera of Qiang Nationality like You Are My Mountain.

Theratrical Events 2017

Long River Workshop

Wenchung Lin finds traces of the subtle movements stimulated by the experimental thinking in Small End (2013), while the well-tuned body which shows its highly existence in its breath is integrated into the pure dance what Wenchung Lin has been famous for. Long River carries the expectations of an artist to embrace the artistic vision targeting medium/large-sized theatre, to digest what he has experienced while working in a smaller venue, to polish the artistic pursuit of the dance company, and to move forward to a bigger production. Wenchung Lin dance troupeWenchung Lin served Bill T. Jones Dance Company as the professional dancer for 7 years while his journey in USA. After his return,Wenchung Lin set up the dance troupe which he named after himselfe.“No body, no company,” and vice versaThe water images in his works represent how Wenchung Lin explores the mother culture and the “pan-Asian body,” which can be further traced back to his folk dance training. The Western experience in Bill T. Jones when he stayed in the USA forced him to question his own identity between tradition and modernity, resulting in the series works where the artist searched for his true self in the mother culture through water reflection. “The first question is how to differentiate my works from Cloud Gate and Taipei,China Folk Dance Theatre when we are all trying to bring the Western and the Eastern together,” says Lin, who confesses that there is no shortcut to find an answer. However, as long as something interesting comes up for him to dig into once in a while, he can continue the journey.

Indoor Activities 2017

Voices of Hong Kong: Concert by Windpipe Chinese Music Ensemble

The Windpipe Chinese Music Ensemble endeavors to preserve, inherit and develop Chinese music culture in Hong Kong. The concert Voices of Hong Kong will show the audience the succession and development of traditional and modern Chinese chamber music in Hong Kong.The programme includes works of Cantonese Music virtuosi, they are Thunder in the Droughtby Yan Laolie, In Celebration of Good Times by Yau Hok-chau, Autumn Moon over a Placid Lakeby Lui Man-shing, Rain Lashing on the Plantain by Ho Lau-tong, an ancient tune Meditations in the Boudoir, and other works of Hong Kong famous composers, they are Koel on Mount Parker by Clarence Mak, Lotus Pond Balladeby Sierra Tse, By The Nan Lian Garden by Chan Wing-wah, and The Joy of Tea-pickingby Lo Leung-fai.The concert is an epitome resembling the evolution of Hong Kong from a small fishing village to one of the worlds best known metropolitan cities nowadays and it also demonstrates Hong Kong-specific cultural characteristic combined with tradition and modernity.Acknowledgement: Supported by Leisure and Cultural Services Department of Hong Kong Special Administrative RegionDirector/ Speaker: Pak Tak-wan ChristopherDirector: Chan Chiu-yinCoordinator: Shek Yuk WuStage Manager: Lee Yau Chung JonesAdministrator & Stage Assistant: Leung Chung YanPerformers:Chan Kai-him(Erhu/ Gaohu)Tse Kim-fei(Zhonghu/ Yehu/ Percussion)Kwok Ka-ying(Yangqin)Wong Ling-yan*(Pipa/ Qinqin)Chan Sze-tung(Zhongruan/ Daruan)Chow Lai-kuen(Zheng)Ho Siu-cheong(Dizi/ Xiao)Kwok Shing-cho(Sheng)Co-concertmaster

Outdoor Activities 2017

Chorus Divertimento - The Drowning Sunset

Smelling, merging unobtrusively in the warm whisper of an idle breeze, twinkling around the fresh ornament of the sparkling cherry, and lingering on the orbicular rest of the day lily, serves as a memory of this world in our daily life. The Drowning Sunset tells a story of nostalgia and remembrance. Moreover, this is just as what ZeYa is featured of; different chapters are sequenced by elements in the 24 solar terms, forming a subtle, poetic redolence. The Drowning Sunset is composed of four chapters, and each chapter consists of two pieces: The Sail; The Garlanded Coast; Flying Whales in the Clouds; The Rain at Night. The suite tells a utopian fantasy in the first-person narrative, which is com-posed of four chapters, corresponding to four different emotions and tastes. It begins when our leading character is in his childhood, taken by his parents to an uninhabited island with their puppy, and then starts a new life there. (Chapter 1) With the surrounds of natural landscapes and wildlife on the island, he grows up, full of curiosity and confusion about the outside world. (Chapter 2) As time goes by, his family are all dead, leaving him alone, looking forward to the second coming of the good old days. "When there should emerge the sunset from all sides on the island, all of us would be back." Said his parents. (Chapter 3) And then there comes to the end, the lonely aged man lies in the twilight light, simple and unaffected. Where did he go? Where should the sunset glow? In every drip of rain and breeze of wind, from all sides we know. (Chapter 4) Jin ChengzhiBorn in Wenzhou, Zhejiang, 1987, the young composer and conductor. Chengzhi Jin, is currently working as the Rainbow Chamber Singers.

Music 2016

Chamber Concerto - Spacetime continuum Pro et Contra

Spacetime continuum Pro et Contra is a chamber work written for an ensemble of 13 musicians. The instrumentation of the work is similar to that of a chamber symphony in the 20th century (each section of the orchestra is represented by one instrument); the relationship between the instruments is similar to that of a Baroque concerto (harpsichord, Violin I & II and oboe as solo instruments and the other nine as accompaniment). The harpsichord functions as an important solo instrument, but is also part of the accompaniment. The super traditional style of the work aims for an aesthetic that is the specialization of time. The structure of the work is like that of a traditional concerto (three movements in fast: slow-fast relationship). The thematic material of the first movement embodies exoticism and Baroque style. Contrasting the dramatic recitative first movement, the second movement is an elegy. The third movements tempo is similar to that of a Toccata, while the texture is somehow incidental. The complex rhythm and irregular phrasing give an impression of a constantly pausing and skipping grammophon. This is a work that shakes the balance between space and time. It is inspired by the conversation between the European musical language and Oriental musical traditions. The Baroque concerto style merges with the 20th century chamber symphony structure. Dai BoHe is a doctoral candidate in composition at the China Central Conservatory of Music. Dai Bo was born in 1988 in China. At the age of five, he turned blind due to an illness. Currently, he is a doctoral candidate in composition of Prof. Xiaogang Ye at the China Central Conservatory of Music.His works Charm of Beijing Opera for accordion solo was selected as an obligatory piece for the 2010 Harbin International Accordion Competition, and was greatly acclaimed in Lithuania the following year.In 2012, Dai Bo was invited to participate in the Warsaw Autumn Festival in Poland, where his Illusion Butterfly was performed for the first time by the ONM Orchestra, conducted by Szymon Bywalec. In the same year, he won a significant prize at the Singapore International Composition Competition.In 2013, he became a fellow composer of The Intimacy of Creativity 2013 Composers Meet Performers in Hong Kong. On April 28th, the violinist Cho-Liang Lin and Dai Bo performed his work Kong Gu You Lan (for violin and piano) at the Hong Kong City Hall Theatre.His orchestra piece Invisible Mountain won second prize in the national competition held by Ludwig van Beethoven Association in November 2014. In January 2015, he visited Poland and Norway to join the first round of performance of Orkiestry Akademii Beethovenowskiej and Trondheim Symphony Orchestra, conducted by Jacek Kaspszyk.The original mini dance drama Reflection was performed in China National Centre for the Performing Arts in May 2015.In December 2015, his Wojskis Hom Concerto commissioned by ICM, premiered in Warsaw by Sinfonia Varsovia. Krzysztof Penderecki gave high evaluation, he considered Dai Bo is the one of the most talent Chinese young composers.On March 2016 his piano recital performance The art of Fugue and his own pieces Disappeared Landscapes in Forbidden City Concert Hall. Other works: Book of Sand for violin and piano, Before the Rain for accordion, violin, clarinet and Vibraphone, etc.The new album GU JIA YE, that of the music of north Chinas nomads played on cello, published on July 2016.

Music 2016

Music·Theatre - Folding City

Folding City was a Sci-fi musical-theatrical work adapted from Ma Haipings electronic music album in 2016. Fast mechanical pulses and sparkling composite sounds construct the grandeur of a future metropolitan: floating, evolving, complicated, infinite, hopeful and dynamic. The magnificent atmosphere is a combination of sci-fi and reality, which makes the audience think of Manifesto of Futurism written by Filippo Tommaso Marinetti a hundred years ago. The expectations and anxieties of people in todays society about the future, together with the various details and texture of future cities, are all presented in this work that discusses post-modern social issues. Folding City features both realism and a sense of nativeness. Ma HaipingMa Haiping(MHP), is awarded the 4th and 5th Abilu Music Awards, The best electronic artist. During the past 14 years, his music covers the avant-garde music, experimental, electronic dance music, soundtrack for visual arts and contemporary dance, etc. No matter from the music genre or the production technic, he is a epitome of the development of Chinese electronic music scene. MHP is called "The son of Shanghai techno" for his music revealed a unique sense of screen and science fiction imagery. In recent years, he actively promoting the avant-garde music culture of China, organizing international exchange performances and academic lectures. The vinyl record <The Chiniese Connection > released by Cratesavers International in 2012 and <Crepuscular Rays> released by Night Vision Records in 2013 make him the first Chinese electronic musician who releases his own records in the cradle of Techno, Album <Folding Traces> is released by D Force Records in 2016 April.

Music 2016

Music Theatre - "I" Fantasie - Rencontre between Debussy and Du Li Niang

In the dream alike story of "Rencontre between Debussy and Du Liniang", Debussy sees the ancient Chinese legendary figure Du Liniang, whom seeks the freedom to love. She gives up her life for the loved-one she missed, yet resurrected for the loved-one she found. Along with Du Liniangs journey, two masterful artforms rencontre, one of the most rewarding and ancient Chinese music drama KUNQU opera and Claude Debussys piano music. This communication graefully depicts that Love, is a shared desire cross culture and the power of love resonates within everyone. This site-specific music theatre aims to recontextualised the connection between performance and expression of eastern and western culture through-out time, genre and gender. lt celebrates a transcultural influence that we all share in the current era. Gu JietingGu Jieting is a classical pianist. She graduated from Conservatoire National Superieur de la Music de Paris with a master s degree in Piano and a DFS (Diplome de Formation Suprieure) in Piano and Chamber Music Praised as "the envoy of the Silk Road on the black and white keys Gu has been invited internationally to perform at major music festivals. In2014, Gu is awarded as an "Outstanding Talent of Shanghai" by the Municipal Council. Rencontre between Debussy and Du Liniang is the founding piece of Gu Jietings music theatre series1"FANTASIE. lts premier release is scheduled in fall 2016, following with international tours. Gu depicts the classic and the contemporary from an innovative perspective; breaking the boundary between the Oriental and the Western cultures, "I" FANTAISE encounters two distinguish form of performances.

Music 2016
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